《极度恐慌1983》讲述什么样的故事？
PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
1、《极度恐慌1983》在什么年份上映的？
《极度恐慌1983》是Jacinto,Molina于1983年拍摄上映面向大众的一部精彩恐怖片。这部片开创了西班牙这个时代恐怖片的先河，《极度恐慌1983》上映时票房稳稳居于国内外前三的位置，创下当年播放记录。在那个时代Paul,Naschy,Julia,Saly,Lola,Gaos均为最佳演技实力派，Paul,Naschy,Julia,Saly,Lola,Gaos以完美的演技和好看的形象，奠定在西班牙影视的大咖地位。Paul,Naschy,Julia,Saly,Lola,Gaos饰演角色在完播后依然被大众模仿。Jacinto,Molina之前曾被观众怀疑过演技能力，而《极度恐慌1983》却奠定Jacinto,Molina恐怖片别样风格。《极度恐慌1983》国外首映时曾获恐怖片和媒体广泛报道，被认为其优秀程度，是完全能与同时期（指1980年代）好莱坞优秀恐怖片齐名。
2、被称为恐怖片的巅峰之作的《极度恐慌1983》，是Jacinto,Molina最好的作品之一吗?
从Jacinto,Molina斩获恐怖片最佳导演奖,我就觉得这部《极度恐慌1983》是他最好的恐怖片。虽然Jacinto,Molina后来还拍出来了8分评价恐怖片，但是《极度恐慌1983》是他恐怖片的经典作品之一。
3、《极度恐慌1983》为什么能成为巅峰之作？
提起西班牙恐怖片，大众肯定会想到《极度恐慌1983》的名字。这部由Jacinto,Molina导演，Paul,Naschy,Julia,Saly,Lola,Gaos主演的《极度恐慌1983》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连Jacinto,Molina导演和Paul,Naschy,Julia,Saly,Lola,Gaos，都没想到这部恐怖片会得到这样好的反响。Jacinto,Molina老师曾说过，这是一群失意的人凑到一起创作出来的一部巨品。因为在《极度恐慌1983》拍摄之前，Paul,Naschy,Julia,Saly,Lola,Gaos已经有多年无戏可拍，而Paul,Naschy,Julia,Saly,Lola,Gaos主演的恐怖片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在恐怖片中投入的激情，是我们无法想象的，其实《极度恐慌1983》中的人物心理历程和感人的剧情，何尝不是现实中人们无赖的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力成就了这部经典恐怖片，也成就了他们自己！
4、媒体如何评价《极度恐慌1983》?
《极度恐慌1983》口碑好同时又深受广大观众喜爱，《极度恐慌1983》一经播放立刻引来关注，不仅Paul,Naschy,Julia,Saly,Lola,Gaos演的好而且该恐怖片故事情节也非常紧凑，91影视网（www.jamericanspice.com）观看起来特别流畅同时还能扣人心弦，即使目前《极度恐慌1983》收视率不佳但是该片目前受欢迎程度已经蒸蒸日上。该恐怖片主演Paul,Naschy,Julia,Saly,Lola,Gaos，她在该恐怖片中的演技可圈可点，受到Paul,Naschy,Julia,Saly,Lola,Gaos演的好而且该恐怖片迷的认可。
5、《极度恐慌1983》恐怖片的主要内容
《极度恐慌1983》是一部恐怖片恐怖片，由导演：Jacinto,Molina执导，主演：Paul,Naschy,Julia,Saly,Lola,Gaos，
PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
6、《极度恐慌1983》是Jacinto,Molina导演的一部经典的恐怖西班牙片大全，该剧讲述了：PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest ，想看更多的相关影视作品，请收藏我们的网站：www.jamericanspice.com
PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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